Rainer can you explain again what you mean with the pre-programmed
position? If the actors position is got from a sender, than it would not
pre-programmed, right?
because I think it is NOT intended to have pre-programmed virtual actors!
>
>for us, this means that quite a load is taken from the computer and put
>into to lighting control system (the console). IMHO this obsoletes one of
>the computers. on the one hand, this makes improvisation impossible, but,
>since the whole show is pre-recorded in the console, we might be able to
>continue with the performance in the case of breakdowns.
>
the performance will continue in case of a breakdown, but certainly in a
way that is different . We decided to show the netlags!
At 11:19 19.02.97 -0300, santiago pereson wrote:
>i still thinks boris' idea of a net-storm is better. after all we do want
>to relate the odyssey (with its storms) to the net (with its lags).
>
Monika heavily nods
well we do not know yet how we will really visualize the netlags - how many
screens we will have and so on, but what boris and lee suggested certainly
this is a good possibility
Mon
------------------------------------------------------alles
Theater--------------
Monika Wunderer wunderer@st1hobel.phl.univie.ac.at
++ 43 (1) 892 35 20
http://st1hobel.phl.univie.ac.at/~wunderer/
http://iguwnext.tuwien.ac.at/~oudeis/
"Wenn das was ich liebe bloss in Australien waere. ...
Waehrend das, was ich suche", sagte Belacqua
und verfolgte, so moechte es beinah scheinen, seine eigenen Gedanken,
"nirgendwo ist, so weit ich sehen kann."
"Vobiscum", fluesterte Cappa, "hab' ich recht?"
(S. Beckett)