yep, right, I have to reformulate it, just wanted to be sure to include all
"reasons" for us taking several languages
>
>
>>3 ) Actors:
>> http://iguwnext.tuwien.ac.at/~oudeis/oudeis/abb/abb008.html
>>by gupi
>>
>>3.1 ) Real Actors
>>On each venue at least one player is needed to perform. Probably two=
actors
>>will be needed in the most cases because of the quick change of the scenes
>>to change costume (see =84The Variations of Hades").
>>Theoretically up to 6 actors can interact at the same time (with one being
>>on every stage).
>
>then what about the $$$ problem? (two actors per stage means 10 actors
>travellung to viena...)
>
see
http://iguwnext.tuwien.ac.at/~oudeis/oudeis/english/chart.html
this is a VERY ROUGH possibility of how the actors can be spread.=20
don't ask me why Odysseus is playing on that and that certain stage :-)
maybe someone can explain that chart to me :?)
We are NOT FINISHED with the text yet, so we are not sure if we need 2
actors on _every_ stage, we might at least need women somewhere! so if we
first rewrite and shorten the dialogs and second distribute the actors in a
better way, we may not need that many players.
>
>>4.2.3 ) Limitations
>><<i'm sitting at home, watching this fantastic internet play, when i
>>realize there's a button that reads 'push me to make sound'. ok, i push=
the
>>button. nothing happens. it's not working, maybe a bug in the play's
>>website. i won't push it again anymore.>>
>>
>>this can happen if the spectator tries to make sound and the limit has
>>already been reached (remember the limit thing?). Guillermo Vega (another
>>non-email partner here) realized that.
>>
>>now, what can we do to avoid this?
>
>the choros will perform from the 'score' on a screen. this score can have a
>limit on the amount of 'dots' to be produced, so when this limit is reached
>old dots are erased and new ones added. this would solve the limitation
>depicted above, because every sound event will get to the score. what will
>happen is that if that sound event, that dot, is old enough to be erased,
>and the limit is reached, it will dissapear. but the interaction with the
>virtual spectator has been accomplished!
sounds good
what about the chorleader? and "program" that would tell them if they are
doing to much, telling them they should wait or trying to choose another
sound, or ???
In any way we need a chorleader who tells them what to do. Perhaps it (the
chorleader program) can interactive regulate them as well? Like a=
conductor...
still thinking of the name
choros
cyros (o no the cy - again, and it sound more than a greek food)
but shouldnt we express somehow that this is the audience coming from
cyberspace, from virtual world
chorvirtualos (uahh)
>>see also
>>http://www.geocities.com/Paris/3721/writing.gif
>>this is what happens to you when you have those wonderfull ideas... ;)
>
>hey! this was just an anecdote! :)
:-))
>>6.1.3 ) Text
>>A screen that shows the text of the Episodions (in English and in the
>>mother tongue of the venue?)
>
>my vote is for both languages.
because of what you stated conferring point 1.1) Language
that makes sense
>
>
>>6.1.4 )
>>A bar graph or some kind of chart that shows the data transmission, the
>>"traffic on the information highway"
>>- net data (traceroute, ping, throughput, ....)
>>
>>
>>6.2 ) The Lobby
>>
>>A)
>>To establish a relationship between the audience members on every venue,
>>there use of a TV connection is intended. TV screens placed in the Lobby
>>would show pictures taken live from the audience of the other stages. By
>>moving, waving and saying cheers the audience members could interact
>>worldwide before and after the actual play.
>>
>>B)
>>A alternative idea came up on saturday (quote Rainer) it is intended to=
set
>>up several "surf stations" in the foyer of the theatre to give the=
audience
>>the possibility to chat with the audience of the other stages after the
>>performance, to discuss the performance etc.
>>
>>since this isn't a mission critical application and only standard internet
>>client software (irc, www, cuseeme, ...) is required, it is encouraged to
>>use a different operating system & hardware, possibly from other sponsors
>>like Apple etc. The rule is: The more, the better; but at least 4 stations
>>(computers) should be supplied.
>>
>>IMHO, these surf stations are optional (no sponsor, no surf stations)
>
>i think both can be used. the camera thing doesn't need TV connections if
>we're using pictures: a video camera may be put on every stage and the
>'picture' can be updated every few minutes (ever saw this? there's a lot of
>this on the net. i'll search for some links and post them).
>
>
yep, we had an interesting talk yesterday, when Karin and I presented
Oudeis on an exebition / fair of Internet and Computer firms.
One guy showed us a picture of a club in Vienna which should update ever 5
or so minutes (as santiago mentioned above)
The camera was posed on the ceiling, so you had the bird's-eye view. The
guy said, why not to use such a picture of the stage (which one of the 5-7
real stages???) and "draw" the webstage "into" it.
So than finally pictures would be included!! (As everybody seems to want,
and what I was thinking we could avoid .... but I m not sure anymore, I
have to admit)
What ideas did you and Guillermo had?
We are still trying to find a webdesigner here, what should we tell him/her?
Mon
------------------------------alles Theater--------------
Monika Wunderer wunderer@st1hobel.phl.univie.ac.at
++ 43 (1) 892 35 20
http://st1hobel.phl.univie.ac.at/~wunderer/
http://iguwnext.tuwien.ac.at/~oudeis/
