hope you don't mind my messing with this, but the choros' idea was part of
the project before the mailing lists begun:
>Date: Mon, 23 Sep 1996 17:50:21 +0200 (MET DST)
>From: Monika Wunderer <wunderer@st1hobel.phl.univie.ac.at>
...
>Some of the ideas we have till now are:
>
>* Odysseus as the only actor how is "wandering around on all
>different stages" That means Odysseus would be always a real person
>on that stage that is placed on the station of the journey - on the
>other stages he would just be light.
>
>* Furthermore we probably will have to reduce the use of the text and
>we thought of concentrate on the phrases that are repeted (one
>characteristic of former oral poetry)
>
>* it would also be nice to include some kind of chorus into the
> performance of the play
Further development was made by Mon, Gernot (when he came to Buenos Ayres)
and me. the final idea is mainly mine (the process by which clicks get
transformed into sounds, the way each 'song' is used as an instrument, the
choice of texts, etc)
best,
santiago
music is dressed silence
mailto:jaco@overnet.com.ar
http://www.geocities.com/~yaco