man, we can see that (hopefully hear it soon as well :)))
even more power to you !!!
>a) a name: choros
>
>found a name i like for the cyberchor. it's (oh i'm a very clever guy ;) )
>"choros" (pronounce the 'ch' as in german, accent on the last 'o').
>
So this sounds good indeed, this is the greek word I suppose? What I miss
in this word is the audience. What is this chorus for us? actors or
interactive audience? I prefer the second.
What brings me to the "frustration example as well"
At 20:53 25.01.97 -0300, santiago pereson wrote:
><<i'm sitting at home, watching this fantastic internet play, when i
>realize there's a button that reads 'push me to make sound'. ok, i push the
>button. nothing happens. it's not working, maybe a bug in the play's
>website. i won't push it again anymore.>>
>
>this can happen if the spectator tries to make sound and the limit has
>already been reached (remember the limit thing?). Guillermo Vega (another
So what do we want from our audience? How do they know that it is them who
are making this sound? I tried to follow oudeis-tech, but maybe I missed
something there.
* To send on ahead that the cyberaudience has above all come to watch and
listen to the play: They will get something like a visualization of
lightcones on their screen and hear the dialogs.
* Then (between the episodes ???) they can "push a button" and follow up
the "reaction" = hear the sound they are producing, and the real audience
will hear this sound as well
OR
* The access to our webpages (the one where the stage is visualized) will
send the information to your sound database, which will produce some sound.
This sound can be heard during the episodes as well, getting less and less
as the companions are getting less.
-> but than the audience would not be interactive only _present_ (as real
audience in traditional theaters is like!)
a combination of the both?
First the access to the stage webpage produces the "basis" of the
sound/music. Second the audience functions as a "commentator". We could let
them choose in which mood they are, which comment they want to give to the
ongoing on the stage:
warn odysseus
tell the RL audience what they think/know will come next
suffer with odysseus
perhaps even die (because they are the companions who will die on this
journey)
joy (because he finally spend a year with kirke)
.....
-------------------
santiago thank you for the research conferring the greek text you made
(even with fixing some font problems :o) ! I think the perseus project IS
very helpful. We also linked other databases / texts on
http://iguwnext.tuwien.ac.at/~oudeis/oudeis/english/inhalt.html
and are looking for additional URLs for this page!
Mon
------------------------------alles Theater--------------
Monika Wunderer wunderer@st1hobel.phl.univie.ac.at
++ 43 (1) 892 35 20
http://st1hobel.phl.univie.ac.at/~wunderer/
http://iguwnext.tuwien.ac.at/~oudeis/
I am milk
I am red hot kitchen
And I am cool
Cool as the deep blue ocean
I am lost
So I am cruel
But I'd be love and sweetness .....
c: garbage